This scholarly article is the result of an interdisciplinary collaboration between an art historian, Isabel L. Taube, who specializes in actual and represented interiors, and an independent scholar,...
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The research project “Modern Migrants: Paintings from Europe in US Museums” examines thousands of provenance records of Impressionist, Post-Impressionist and Modern paintings created in Europe between 1860 and...
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The Watermark Identification in Rembrandt’s Etchings project (WIRE), a multidisciplinary collaboration among museums, university faculty, and students, aims to promote digital access to Rembrandt paper scholarship. Its chief...
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The goal of the Watermark Imaging Box (WImBo) Project is to develop a low-cost, readily portable system for imaging artworks on paper; as a proof of concept, WimBo...
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Mapping Color in History (MCH) is an interdisciplinary digital humanities project that seeks to trace the appearance of specific hues in Asian paintings temporally and geographically. With a...
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Florence As It Was combines three-dimensional models of Medieval and early Modern buildings, digitized documents, photogrammetric models of 230 art works, translations of early modern descriptions, and original...
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Nineteenth Century Art History is an extensive field of study that intersects with diverse humanities and social sciences areas. New research continues to expand our understanding of the...
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CARTA is a collaborative entity of art libraries building collections of archived web-based content related to art history and contemporary art practice. Through this collaborative approach, the project...
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Handmade laid paper has the important quality that every sheet of paper formed on the same papermaking mold retains a nearly identical imprint of the mold’s wire structure....
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Baroque Without Boundaries, a digital mapping intervention and website, charts the increased contact among cultures during the late sixteenth-eighteenth centuries through the visual and material objects that originated...
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