This scholarly article is the result of an interdisciplinary collaboration between an art historian, Isabel L. Taube, who specializes in actual and represented interiors, and an independent scholar,...
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The Watermark Identification in Rembrandt’s Etchings project (WIRE), a multidisciplinary collaboration among museums, university faculty, and students, aims to promote digital access to Rembrandt paper scholarship. Its chief...
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The goal of the Watermark Imaging Box (WImBo) Project is to develop a low-cost, readily portable system for imaging artworks on paper; as a proof of concept, WimBo...
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Florence As It Was combines three-dimensional models of Medieval and early Modern buildings, digitized documents, photogrammetric models of 230 art works, translations of early modern descriptions, and original...
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CARTA is a collaborative entity of art libraries building collections of archived web-based content related to art history and contemporary art practice. Through this collaborative approach, the project...
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Baroque Without Boundaries, a digital mapping intervention and website, charts the increased contact among cultures during the late sixteenth-eighteenth centuries through the visual and material objects that originated...
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The diagram maps the relationships among the artists represented in the Museum of Modern Art’s Exhibition “Inventing Abstraction,” all of whom played a significant role in the development...
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Envisioning Baroque Rome is a digital humanities project that provides an internet-based, 3D walkable reconstruction of the city of Rome ca. 1676, using the gaming platform Unity. The...
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This database was created to collect, host, and display images made by travelers, mapmakers, historians, architects, and artists of medieval and early modern monuments and cities of Southern...
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Whereas pictures can be satisfactorily represented in two dimensions on a computer screen, space — especially Gothic space — demands a different approach, one which embraces not only...
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